After hearing the latest RotK spoilers, I was bummed . . . and then I remembered MESPT. Thank you Frotima and Carawise. (-;
If you haven't followed MESPT this won't mean anything, but if you have and read spoilers, here's an RotK Spoiler MESPT-style icon from Tom and me: click not lest ye be spoiled, unless ye wantsa. :-D
If you haven't followed MESPT this won't mean anything, but if you have and read spoilers, here's an RotK Spoiler MESPT-style icon from Tom and me: click not lest ye be spoiled, unless ye wantsa. :-D
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So, thinking of your Frodo makes the stupidiness of this plot turn feel better--it bummed me at first--I may even have to suppress my inappropriate giggling in the theater. (-;
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Assuming that this spoiler is true, I gotta wonder why Jackson decided to do it. Perhaps he thought that his change would make it more obvious to newbies. Filmmakers have to make choices like that, unfortunately.
As for Brego... I actually liked that scene. It was one of the only 'comic' touches in TTT that I did like. Overall, I think that Jackson was too heavy-handed with the humor in TTT.
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I do understand cinematic constraints and am not a purist--I love some of the changes made to the story in FotR, but I don't see how this change helps. Still, I haven't seen it yet, so maybe that will clarify things. Maybe PJ(and maybe Boyens and Walsh) doesn't pick up on the importance of empathy--I thought he did in FoTR by making Gandalf's speech about pity and mercy central, but maybe that's not the part of the speech that moves PJ but the second part--that you've got to do your part in a hostile world--which is probably the part he focused on to get where he is as a producer. Successful people in the movie industry don't tend to get the idea that sometimes people really do need extra care and concern because we don't all have equal abilities, let alone opportunities.
It didn't quite work for me as a humor moment and was just an ewwww moment. Hehe. I agree.